Rabu, 25 April 2012

[Y864.Ebook] Ebook Free The Microstructure of Financial Markets, by Frank de Jong, Barbara Rindi

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The Microstructure of Financial Markets, by Frank de Jong, Barbara Rindi

The analysis of the microstructure of financial markets has been one of the most important areas of research in finance and has allowed scholars and practitioners alike to have a much more sophisticated understanding of the dynamics of price formation in financial markets. Frank de Jong and Barbara Rindi provide an integrated graduate level textbook treatment of the theory and empirics of the subject, starting with a detailed description of the trading systems on stock exchanges and other markets and then turning to economic theory and asset pricing models. Special attention is paid to models explaining transaction costs, with a treatment of the measurement of these costs and the implications for the return on investment. The final chapters review recent developments in the academic literature. End-of-chapter exercises and downloadable data from the book's companion website provide opportunities to revise and apply models developed in the text.

  • Sales Rank: #1535471 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 2009-05-25
  • Released on: 2009-05-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x .43" w x 6.85" l, .95 pounds
  • Binding: Paperback
  • 210 pages
Features
  • Used Book in Good Condition

Review
"Thoughtful, clear and rigorous, this book offers an in-depth unified treatment of market microstructure, combining description of institutions with presentation of analytical models along with empirical methods and results. This comprehensive survey ranges from seminal contributions to latest research. It will be a reference not just for advanced graduate courses in finance and economics but also for scholars and industry practitioners. This is the book we have long needed in order to understand and master the advances in research and trading innovations that have taken place over the last thirty years." - Bruno Biais, Toulouse University

"Frank de Jong and Barbara Rindi present a clear and accessible discussion of market microstructure. They combine a careful explanation of institutional details together with a clear exposition of theoretical models in a manner that will prove very useful to both Ph.D. level students and MBA level students. Their book is particularly timely because market microstructure, like options pricing, has rapidly moved from the research domain of professors into the real world, where competition among exchanges, measurement of transactions costs, and algorithmic trading all require combining the theory of market microstructure with an understanding of how it works in practice."- Albert S Kyle, Smith Chair Professor of Finance, Robert H Smith School of Business, University of Maryland

About the Author
Frank de Jong is Professor of Financial Markets and Risk Management at Tilburg University. He is also a senior research fellow and program coordinator at Netspar, an independent network for research and education in the field of pensions, aging and retirement.

Barbara Rindi is Associate Professor of Economics at Bocconi University in Milan. She is also a researcher for for the Paolo Baffi Centre for Monetary and Financial Economics.

Most helpful customer reviews

3 of 4 people found the following review helpful.
A good textbook
By Peter B. Lerner
The book by De Jong and Barbara Rindi holds the following unfair preference with respect to my book "Microstructure and noise...", namely that it is 3 times cheaper. But it is also well-written and professionally edited. That's why I assigned it 3 stars while assigning 2 stars to my own book.

Microstructure is presented in the book as a disjointed compendium of models and methods without any overriding logic or purpose. But the models are presented in a nice and understandable way. It also contains exercises to each chapter. The book is especially recommended for a graduate course in microstructure for finance students. While Larry Harris' textbook is unparalleled, the material there is mostly geared towards MBA-level lecture course. De Jong and Rindi's book, however, can structure PhD-level course with some additional material from another good book on the subject, that is by J. Hasbrouck.

In short, De Jong and Rindi's book must be on the table of every professor teaching this subject on a sufficiently advanced level. It can also provide valuable insights to an expert through comprehensive and accurate rendering of other people's theories. The main weakness of the book is unclear distinction between authors' and other people results.

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GWT in Action, by Adam Tacy, Robert Hanson, Jason Essington, Anna Tokke

Summary

GWT in Action, Second Edition is a completely revised edition of the best-selling GWT book. It covers the new features introduced in GWT 2.4 and 2.5, as well as the best development practices that have emerged in the GWT community. It begins with a rapid-fire introduction to GWT and Ajax to get you up to speed with GWT concepts and tools. Then, you'll explore key concepts like managing events, interacting with the server, creating UI components, building your user interface declaratively using UiBinder ... and more.

About the Technology

Google Web Toolkit works on a simple idea. Write your web application in Java, and GWT crosscompiles it into JavaScript. It is open source, supported by Google, and version 2.5 now includes a library of high-quality interface components and productivity tools that make using GWT a snap. The JavaScript it produces is really good.

About this Book

GWT in Action, Second Edition is a revised edition of the best-selling GWT book. In it, you'll explore key concepts like managing events, interacting with the server, and creating UI components. As you move through its engaging examples, you'll absorb the latest thinking in application design and industry-grade best practices, such as implementing MVP, using dependency injection, and code optimization.

Written for Java developers, the book requires no prior knowledge of GWT.

Purchase of the print book comes with an offer of a free PDF, ePub, and Kindle eBook from Manning. Also available is all code from the book.

What's Inside

  • Covers GWT 2.4 and up
  • Efficient use of large data sets
  • Optimizing with client bundles, deferred binding, and code splitting
  • Using generators and dependency injection

About the Authors

Adam Tacy and Robert Hanson coauthored the first edition of GWT in Action. Jason Essington is a Java developer and an active contributor to the GWT mailing list and the GWT IRC channel. Anna T�kke is a programmer and solutions architect working with GWT on a daily basis.

Table of ContentsPART 1 BASICS
  • GWT
  • Building a GWT application: saying "Hello World!"
  • Building a GWT application: enhancing Hello World
  • PART 2 NEXT STEPS
  • Creating your own widgets
  • Using client bundles
  • Interface design with UiBinder
  • Communicating with GWT-RPC
  • Using RequestFactory
  • The Editor framework
  • Data-presentation (cell) widgets
  • Using JSNI—JavaScript Native Interface
  • Classic Ajax and HTML forms
  • Internationalization, localization, and accessibility
  • PART 3 ADVANCED
  • Advanced event handling and event busses
  • Building MVP-based applications
  • Dependency injection
  • Deferred binding
  • Generators
  • Metrics and code splitting
    • Sales Rank: #844459 in Books
    • Published on: 2013-02-10
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.25" h x 1.40" w x 7.38" l, 2.40 pounds
    • Binding: Paperback
    • 680 pages

    About the Author

    Adam Tacy is a consultant for Logica based in the Nordics with over 14 years experience in IT with most of those years spent in processes or managing projects. He co-authored GWT in Action with Robert Hanson in 2007 and has been watching the development of GWT 2.0 with anticipation

    Robert Hanson is the Applications Development Manager for Quality Technology Services and has spent over 12 years developing high-performance web applications. He released the first open-source library of GWT tools and widgets in 2006. He co-authored the first edition of GWT in Action and is an avid supporter of GWT.

    Jason Essington is a Java software engineer for Calypso Technology with over 12 years experience in the treasury and financial industries. He has been an advocate of GWT since its public release and is an active member of the GWT community, contributing to both the mailing list and the GWT IRC channel.

    Anna T�kke is a programmer and solutions architect working with GWT on a daily basis.

    Most helpful customer reviews

    14 of 14 people found the following review helpful.
    Excellent thorough guide to GWT that covers the latest shiny features
    By J. D. Taylor
    Background: I've worked with GWT for 18 months. I also happen to work at Google - I say this not imply any kind of company endorsement - but just to give you an idea of the amount of GWT information I have access to.

    I have found this book really useful for getting to grips with some of the more cutting edge and esoteric features of GWT. It covers such things as superdev mode and generators - features that you'll find little information on elsewhere. Because of the book's size and depth it might be intimidating to a complete beginner, but the authors do provide plenty of worked examples to tinker with. In contrast to some other GWT books I've tried I also found this pretty readable.

    In summary, I'm a fairly seasoned GWT developer and I still found much to learn from this book. I wish I'd had it a year ago.

    17 of 20 people found the following review helpful.
    hard to follow and understand
    By Jeanne Boyarsky
    Usually, I really like the "in action" series, but "GWT in Action" disappointed me. The book focus on examples "in action" almost to the exclusion of having the reader understand the concepts. It wasn't until the end of the book that I really understood what was going on.

    I did like the step by step instructions on how to get started. The examples were good if you needed to do what the example did. It was tough to extrapolate to other scenarios though. Some of the code examples were rather long and involved. The end of the book was also good. It went into detail on HTML form controls, JSON, testing, deployment and most importantly - how GWT works. These would have been nice earlier in the book. Especially the HTML form section. The majority of AJAX at this time is related to forms. Since the cover says "easy AJAX with GWT", I expected more on form based AJAX examples.

    I felt that the book was trying to reach too broad an audience. For beginners without an understanding of JavaScript/HTML/DOM, I think it is overwhelming. The book provides "what's new in GWT 1..4", but the book is overkill for someone already using GWT. Most of the time the book treats what happens under the hood of GWT as magic and other times it becomes important. This switching of focus is a bit confusing.

    11 of 12 people found the following review helpful.
    Best book so far on GWT
    By Alex Tolley
    This is the 2nd book I bought to do GWT. "GWT in Action" is by far the best book to learn GWT (at least when I bought it in summer 2007). Since I had already been using GWT, I used this book to successfully resolve a number of issues I was having, especially with event handling.

    An area that could use improvement in future editions is explaining how to integrate with existing javascript code libraries, something that really has to be assumed is a requirement with GWT. A good javascript reference, like O'Reilly's "Javascript: The Definitive Guide" should also be acquired.

    I use Instantiations GWTDesigner Eclipse plugin to do my code work.

    See all 22 customer reviews...

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    Selasa, 24 April 2012

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    • Sales Rank: #128506 in Books
    • Published on: 2016-08-24
    • Original language: English
    • Number of items: 1
    • Dimensions: 11.10" h x 1.80" w x 8.80" l, .0 pounds
    • Binding: Hardcover
    • 928 pages

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    Fallen Leaves: Last Words on Life, Love, War, and God, by Will Durant

    Praised as a “revelatory” book by The Wall Street Journal, this is the last and most personal work of Pulitzer Prize–winning author and historian Will Durant, discovered thirty-two years after his death.

    The culmination of Will Durant’s sixty-plus years spent researching the philosophies, religions, arts, sciences, and civilizations from across the world, Fallen Leaves is the distilled wisdom of one of the world’s greatest minds, a man with a renowned talent for rendering the insights of the past accessible. Over the course of Durant’s career he received numerous letters from “curious readers who have challenged me to speak my mind on the timeless questions of human life and fate.” With Fallen Leaves, his final book, he at last accepted their challenge.

    In twenty-two short chapters, Durant addresses everything from youth and old age to religion, morals, sex, war, politics, and art. Fallen Leaves is “a thought-provoking array of opinions” (Publishers Weekly), offering elegant prose, deep insights, and Durant’s revealing conclusions about the perennial problems and greatest joys we face as a species. In Durant’s singular voice, here is a message of insight for everyone who has ever sought meaning in life or the counsel of a learned friend while navigating life’s journey.

    • Sales Rank: #260379 in Books
    • Published on: 2014-12-09
    • Released on: 2014-12-09
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.00" h x .80" w x 5.13" l, .66 pounds
    • Binding: Hardcover
    • 208 pages
    Features
    • Will Durant's summing up

    Review
    "Fallen Leaves is in some ways a slight book. But it is also a revelatory one. Most of Durant's work is about the thoughts and actions of others. Fallen Leaves is very much about the thoughts of Will durant concerning—well, almost everything. You'll find short essays on childhood, old age, death, war, politics, capitalisn, art, sex, God and morality. ... Above all, Fallen Leaves is a portrait of a sensibility. ... Durant was a remarkable specimen of that nearly extinct species, a civilized liberal of wide learning and even wider sympathy for the fundamentals of human aspiration." (The Wall Street Journal)

    "Short but persuasive commentaries on a diversity of topics from a respected scholar of humanity." (Kirkus Reviews)

    "Some passages, such as his observations on youth and middle age, are personal and specific, while others, such as his ruminations on the existence of God, border on philosophy. . . . [And others] still carry a beneficial sting, such as his thoughts on war and nationalism and his plea for racial harmony (Durant’s civil rights advocacy dated back to 1914). . . . a thought-provoking array of opinions." (Publishers Weekly)

    “Some of his musings are provocative, even outrageous…this is a work that demands we think, and it is a worthy conclusion to a long and distinguished career.” (Booklist)

    "The book serves as a distillation of wisdom from a distinguished scholar, rendered in elegant prose." (The New Criterion)

    About the Author
    Will Durant (1885–1981) was awarded the Pulitzer Prize (1968) and the Presidential Medal of Freedom (1977). He spent more than fifty years writing his critically acclaimed eleven-volume series, The Story of Civilization (the later volumes written in conjunction with his wife, Ariel). A champion of human rights issues, such as the brotherhood of man and social reform, long before such issues were popular, Durant’s writing still educates and entertains readers around the world. 

    Excerpt. © Reprinted by permission. All rights reserved.
    Fallen Leaves CHAPTER ONE

    OUR LIFE BEGINS
    A group of little children with their ways and chatter flow in,

    Like welcome rippling water o’er my heated nerves and flesh.

    —WALT WHITMAN, “AFTER THE ARGUMENT”

    We like children first of all because they are ours; prolongations of our luscious and unprecedented selves. However, we also like them because they are what we would but cannot be—coordinated animals, whose simplicity and unity of action are spontaneous, whereas in the philosopher they come only after struggle and suppression. We like them because of what in us is called selfishness—the naturalness and undisguised directness of their instincts. We like their unhypocritical candor; they do not smile to us when they long for our annihilation. Kinder und Narren sprechen die Wahrheit—“Children and fools speak the truth”; and somehow they find happiness in their sincerity.

    See him, the newborn, dirty but marvelous, ridiculous in actuality, infinite in possibility, capable of that ultimate miracle—growth. Can you conceive it—that this queer bundle of sound and pain will come to know love, anxiety, prayer, suffering, creation, metaphysics, death? He cries; he has been so long asleep in the quiet warm womb of his mother; now suddenly he is compelled to breathe, and it hurts; compelled to see light, and it pierces him; compelled to hear noise, and it terrifies him. Cold strikes his skin, and he seems to be all pain. But it is not so; nature protects him against this initial onslaught of the world by dressing him in a general insensitivity. He sees the light only dimly; he hears the sounds as muffled and afar. For the most part he sleeps. His mother calls him a “little monkey,” and she is right; until he walks he will be like an ape, and even less of a biped, the womb-life having given his funny little legs the incalculable flexibility of a frog’s. Not till he talks will he leave the ape behind, and begin to climb precariously to the stature of a human being.

    Watch him, and see how, bit by bit, he learns the nature of things by random movements of exploration. The world is a puzzle to him; and these haphazard responses of grasping, biting, and throwing are the pseudopodia, which he puts out to a perilous experience. Curiosity consumes and develops him; he would touch and taste everything from his rattle to the moon. For the rest he learns by imitation, though his parents think he learns by sermons. They teach him gentleness, and beat him; they teach him mildness of speech, and shout at him; they teach him a Stoic apathy to finance, and quarrel before him about the division of their income; they teach him honesty, and answer his most profound questions with lies. Our children bring us up by showing us, through imitation, what we really are.

    The child might be the beginning and the end of philosophy. In its insistent curiosity and growth lies the secret of all metaphysics; looking upon it in its cradle, or as it creeps across the floor, we see life not as an abstraction, but as a flowing reality that breaks through all our mechanical categories, all our physical formulas. Here in this expansive urgency, this patient effort and construction, this resolute rise from hands to feet, from helplessness to power, from infancy to maturity, from wonder to wisdom—here is the “Unknowable” of Spencer, the Noumenon of Kant, the Ens Realissimum of the Scholastics, the “Prime Mover” of Aristotle, the To ontos on, or “That Which Really Is,” of Plato; here we are nearer to the basis of things than in the length and breadth and thickness and weight and solidity of matter, or in the cogs and pulleys and wheels and levers of a machine. Life is that which is discontent, which struggles and seeks, which suffers and creates. No mechanistic or materialistic philosophy can do it justice, or understand the silent growth and majesty of a tree, or compass the longing and laughter of children.

    Childhood may be defined as the age of play; therefore some children are never young, and some adults are never old.

    Most helpful customer reviews

    18 of 18 people found the following review helpful.
    This has some of the most beautiful writing in the English language I've seen.
    By Luke
    I was enthralled when I found out a new Will Durant book was coming out. I am only halfway through. This has some of the most beautiful writing in the English language I've ever read. It's poetry and brilliance. This isn't a review based on his personal views (many of which I personally find compelling and well-thought), but his prose. Will Durant was an incredible writer and any aspiring writer could learn much from studying his form.

    3 of 3 people found the following review helpful.
    A bleh book by a great man.
    By David H. Eisenberg
    It actually pains me to give three stars to anything by Durant. His Story of Philosophy and Story of Civilization have given me more pleasure and taught me more than most other books I've read in my life. I do not know what part to attribute to his wife, but certainly Will's breadth of humanistic knowledge exceeded any other known persons in the 20th and 21st century. He wouldn't just tell you that something happened in say, 1325, but then he'd tell you that it didn't happen again until 350 years later and you'd marvel at the scope of his knowledge. He once wrote that you can't read everything but it sure seemed like he tried. Sometimes I've read recent books on a single topic with some supposedly new theory, then go back and look at what he wrote only to confirm that he had been there before.

    But, this book, written in his very old age, is not worthy of his great talent. Perhaps it should have stayed buried. However, Durant is very well aware that times change perspective. Writing on the Vietnam War he points out that perhaps in two years time what he wrote will look foolish (or some similar sentiment). And there are gems of wisdom here. Were he still alive, he'd be surprised, no doubt, at the changes that have occurred in the lives of women and probably been embarrassed by his musings on them. Even when he wrote this though, they would already be considered old fashioned (to use a nice phrase) by many.

    This is not the first time I've found that a favorite author should not give his own opinions late in life when he has stopped growing with the culture (George MacDonald Fraser's memoir Quartered Safely Out Here comes immediately to mind).

    As I finish the review, I feel a little humbled to have written such a moderate review for such a great man. But . . . .

    3 of 3 people found the following review helpful.
    Will Durant's last words on almost everything
    By J. Alan Bock
    This is a very unusual book. First of all it is published more than thirty years after the death of the author. It is a short book - less than 200 pages. On the other hand, it is almost encyclopedic in its treatment of subjects. In 1978, as he was still putting it together, Will Durant described it as a “little book of stray thoughts on everything.” “I am anxious to get it done,” said Durant, “The pep is petering out.” And so we have “Fallen Leaves,” Durant’s last words on “Life, Love, War and God.”

    I can only scratch the surface in mining my own favorite “pearls of wisdom” which are copiously scattered throughout twenty-two short chapters.

    On Youth. The tragedy of life is that it gives us wisdom only when it has stolen youth. Si jeunesse savait, et vieillesse pouvait - “If youth knew how, and old age could.”

    On Middle Age. We forget our radicalism then in a gentle liberalism - which is radicalism softened with the consciousness of a bank account.

    On death. Only one thing is certain in history and that is decadence; only one thing is certain in life and that is death.

    Our Souls. I am quite content with mortality; I should be appalled at the thought of living forever in whatever paradise. As I move on into my nineties my ambitions moderate, my zest in life wanes; soon I shall echo Caesar’s Jam satis vixi- I have already lived enough.

    Our Gods. I am prepared to have you put me down as an atheist, since I have reluctanty abandoned belief in a personal and loving God. There is so much suffering in the world and so much of it apparently undeserved, so much war, destruction, crime,corruption and savagery, even in religious organizations like the medieval church, that one finds it hard to believe that all this exists by permission of an all-powerful and beneficent deity.

    Darwin furthered the transformation that Copernicus had begun. As the astronomer had lost the earth in space, the biologist lost man in the infinity of time, in the long procession of transitory species that had walked the earth or swum the sea or flown the air; man became a mere line in Nature’s interminable odyssey.

    So, while I myself cling to the old code, I do not expect it of the young. I shudder at the convulsions and bumps that make up their dances; I flee from their music and art as relics of the chaos that preceded creation; and I wait impatiently for them to discover that Bohemian, too, is a convention and a pose and that their proud deviations from accepted manners reveal a secret doubt of their own inner worth.

    No one will believe me when I claim that I have ofter been aroused by the beauty of a woman without desiring her in any physical sense or degree; according to me my excitement was purely esthetic. Perhaps I deceive myself, and I will make no oath as to the lusts hiding in my unconscious or in my blood. But I insist that time and again I have longed to approach a woman timidly and thank her for being such a joy to behold, and that in this longing I felt no ambition to possess her, or even to touch her hand.

    On Vietnam. But we had a right to expect that our government would sign the Geneva Agreements of 1954, guaranteeing a neutral Vietnam; and that our economic interests there would be left to negotiation rather that to escalated interference and war. I would rather have America lose her empire than have her forfeit all the inspiration that she has meant to mankind.

    In 1932 I voted for Franklin Delano Roosevelt. I rank him among our greatest presidents. He rescued democracy abroad by coming to the aid of France and England in 1941; he rescued democracy at home by making government the instrument of the common weal instead of the instrument of capital. Because of him and his successors the American system was so chastened and strengthened that it has been able to meet every challenge and comparison.

    Since 1921 I have inveighed against the absurdities of psychoanalysis. I laughed at Freud’s dream theories as soon as I read them. I had had sexual dreams, but never disguised them as cutting a cake. Freud’s resort to symbolism in interpreting dreams seemed to me merely the bizarre and unconvincing feat of a diseased imagination. I felt that he had exaggerated sex and had underrated economic troubles in generating neurosis. . . I had no memory - and had given no reported sign- of having hated my father or of having desired my mother sexually.

    “History,” said Henry Ford, “is bunk.” But there is another way in which to view history; history as man’s rise from savagery to civilization - history as the record of lasting contributions made to man’s knowledge, wisdom, arts, morals, manners, skills - history as a laboratory rich in a hundred thousand experiments in economics, religion, literature, science, and government - history as our roots and our illumination, as the road by which we came and the only light that can clarify the present and guide us into the future - that kind of history is not “bunk”; it is, as Napoleon said on St. Helena, the only true philosophy and the only true psychology.

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    Kamis, 19 April 2012

    [H346.Ebook] Free PDF Seeing, by Brett Rogers

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    The hardest thing in life is to see things as they really are, especially in relationships.

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    This book will attempt to give you some corrective lenses, or at least work to make you aware of the screwed up relationship goggles that you have. We all do. You're not alone. And that actually makes it worse, because we're all seeing things that aren't there.

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    • Sales Rank: #3773400 in eBooks
    • Published on: 2012-10-25
    • Released on: 2012-10-25
    • Format: Kindle eBook

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    0 of 0 people found the following review helpful.
    Easy read offers sound advice
    By Susan Dutton
    This little gem gives sound advice on building a love that lasts. Brett's hard-won wisdom jives with the latest insights from couples research. It's an easy read in a conversational style that will help anyone who is seeking to build a healthy relationship.

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    Rabu, 11 April 2012

    [D337.Ebook] Get Free Ebook Write Your Own Horoscope, by Joseph F. Goodavage

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    For the first time, a leading astrologer tells how you can cast your individual horoscope with the accurance of a trained professional.

    • Sales Rank: #2671310 in Books
    • Published on: 1968-10-01
    • Released on: 1968-09-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 5.00" h x 1.00" w x 7.00" l,
    • Binding: Mass Market Paperback

    Most helpful customer reviews

    18 of 19 people found the following review helpful.
    Uncannily correct!
    By A Customer
    I used this book (mine is an older version) to plot my own horoscope. From the resulting chart I then looked for a description of who I am, what my personality and characteristics are.

    It's uncanny but the resulting composite description really describes me. There are things which even I have not been consciously aware of but which now make perfect sense to me.

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    2 of 2 people found the following review helpful.
    Excellent For the Novice or the Interested
    By June Ahern
    I bought this book in the late 1960's and have read it over and over for myself and others. Mr. Goodavage makes it easy to learn about your horoscope - far easier than any other book I have read, which were enough. Now in 2011 I can say that reading back upon the book, much of what he said has come to pass. I'm glad I did pay attention to help develop my better qualities while working on my not so positive traits. I'm re-reading it to have insights into my new grandchild. Highly recommend this book! Mine is falling apart. Must be time for a newer version.

    2 of 2 people found the following review helpful.
    great if you're an old-timer
    By PAM
    When I was charting natal horoscopes in the 1970's, Goodavage's descriptions were accurate and insightful for my subjects. I lost my book years ago and was glad to find another, but the charts for dates of birth stop at 1970, so it is not helpful for charting anyone younger than 42. Still, the descriptions in general are helpful if you want to learn about what makes people tick in general.

    See all 19 customer reviews...

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    Senin, 09 April 2012

    [O943.Ebook] Free Ebook Demasiado Amor = Too Much Love (Spanish Edition), by Sara Sefchovich

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    Demasiado Amor = Too Much Love (Spanish Edition), by Sara Sefchovich

    This is a story of two sisters and their close relationship despite the distance between them. One of them encounters a great love in her life that leads her to experience many things.

    Description in Spanish:
    Un largo y ameno recorrido por M�xico, de norte a sur, de este a oeste, en el que la escritora quiere mostrar algo m�s. Ahonda en las profundidades del pa�s mientras se interna en el complejo y laber�ntico mundo femenino la historia de dos hermanas y su estrecha relaci�n a pesar de la distancia; una se muda a otro continente, la otra se queda en M�xico a conseguir dinero para hacer realidad su proyecto de abrir una casa de hu�spedes frente al mar. Una noche cualquiera, un gran amor irrumpe en su vida, y con �l todos los nombres, sabores, olores y colores, lugares y placeres que pueden caber en la vasta geograf�a mexicana.

    • Sales Rank: #917611 in Books
    • Brand: Brand: Santillana (AR)
    • Published on: 2002-05
    • Original language: Spanish
    • Number of items: 1
    • Dimensions: .80" h x 5.82" w x 9.42" l,
    • Binding: Hardcover
    • 226 pages
    Features
    • Sara Sefchovich
    • 9789681912932
    • 2002

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    the psicologist send it to read
    By juan con
    this book is not our like but may be are things tath happenns in the real live. So, is not my favorit thing toread.

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    Selasa, 03 April 2012

    [Z481.Ebook] Ebook Download Ferdydurke (The Margellos World Republic of Letters), by Witold Gombrowicz

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    Ferdydurke (The Margellos World Republic of Letters), by Witold Gombrowicz

    In this bitterly funny novel a writer finds himself tossed into a chaotic world of schoolboys by a diabolical professor who wishes to reduce him to childishness. Originally published in Poland in 1937, Ferdydurke was deemed scandalous and subversive by Nazis, Stalinists, and the Polish Communist regime in turn and was officially banned in Poland for decades. It has nonetheless remained one of the most influential works of twentieth-century European literature.

    "Ferdydurke, among its centrifugal charms, includes some of the truest and funniest literary satire in print."—John Updike

    "A wonderfully subversive, self-absorbed, hilarious book. Think Kafka translated by Groucho Marx, with commentaries."—Kirkus Reviews

    "The author's exuberant humor, suggesting the absurdist drama of Eug�ne Ionesco, if not the short fiction of Franz Kafka, is readily apparent in this new translation. . . . Highly recommended."—Richard Koss, Library Journal

    Winner of the 2001 National Translation Award given by the American Literary Translators Association

    • Sales Rank: #307456 in Books
    • Published on: 2012-04-24
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.72" h x .81" w x 5.06" l, .70 pounds
    • Binding: Paperback
    • 320 pages

    From Publishers Weekly
    This masterpiece of European modernism was first published in 1937, and so arrived on the literary scene at an inopportune moment. First the Second World War, then Russian domination of Gombrowicz's Poland and the author's decades of exile in Argentina all but expunged public awareness of a novel that remains a singularly strange exploration of identity, cultural and political mores, and eros. Joey Kowalski narrates the story of his transformation from a 30-year-old man into a teenage boy. Joey awakens one morning gripped by fear when he perceives a ghost of himself standing in the corner of his room. He orders the ghost, whose face "was all someone else'sAand yet it was I," to leave. When the ghost is gone, Kowalski is driven to write, to create his own "oeuvre," to be "free to expound [his] own views." A visitor arrives, a doctor of philosophy named Pimko. As Pimko talks to him, Kowalski begins to shrink, to become "a little persona"; his oeuvre becomes a "little oeuvre." Pimko, in turn, grows larger and larger. He takes Kowalski to an old-fashioned Polish school, and then the man-boy's adventures adventures continue in a middle-class household and on the country estate of landed aristocrats. Kowalski's exploits are comic and erotic (for this is a modernism closer to dada and the Marx brothers than to the elevated tones of T.S. Eliot or Ezra Pound), but also carry a shrewdly subtle groundswell of philosophical seriousness. Gombrowicz is interested in identity and the way time and circumstance, history and place impose form on people's lives. Unsentimental, mocking and sometimes brutal, Kowalski's youthfulness is callow and immature, but it is also free to revel in desire. Susan Sontag ushers this new translation into print with a strong and useful foreword, calling Gombrowicz's tale "extravagant, brilliant, disturbing, brave, funny... wonderful." And it is. (Oct.)
    Copyright 2000 Reed Business Information, Inc.

    From Library Journal
    Originally published in 1937, this novel was banned by the Nazis and suppressed by the Communist regime in Gombrowicz's (1904-69) native Poland. While modern readers may not find the book's satire particularly subversive, the author's exuberant humor, suggesting the absurdist drama of Eug ne Ionesco, if not the short fiction of Franz Kafka, is readily apparent in this new translation. Thirty-year-old Joe is abducted by schoolteacher Pimko and placed in a school where "daily universal impotence" is drummed into the students. This institutional belittlement exposes Joe to the brutality of the social, cultural, and political pretensions of both teachers and classmates. Trapped between the expectations of others and the perils of solitude, Joe finds refuge in his own childishness, much as the protagonist of the author's Trans-Atlantyk embraces his own immaturity. Pausing for digressions that impress upon the reader that "the child runs deep in everything," Gombrowicz recounts Joe's escape from the school, his bizarre visit to the country estate of relatives, and the ultimate flight with his cousin beneath a giant buttocks that has usurped the sun's place. Highly recommended for collections specializing in modern and Eastern European literature.DRichard Koss, "Library Journal"
    Copyright 2001 Reed Business Information, Inc.

    Review
    "One of the most bracing, direct books ever written about sexual desire--this without a single scene of sexual union." -- Los Angeles Times Book Review

    "The author's exuberant humor . . . is readily apparent in this new translation." -- Richard Koss, Library Journal

    "[An] irreducibly, brilliantly original novel. . . . that bristles with indefatigable resources of satire, parody and irony. . . . A genuinely astonishing masterwork." -- Eva Hoffman, The New York Times Book Review

    Most helpful customer reviews

    31 of 32 people found the following review helpful.
    A one-of-a-kind masterpiece
    By D. Friedman
    The world of Ferdydurke seems at first to be concocted out of equal parts of Kafka and Swift. There is the absurdity of Kakfa: events occur for no apparent reason, and the main character seems to be under some mysterious hypnotic spell. And there is the savage humor of Swift. Violent conflict erupts between the followers of two opposed and equally absurd and ridiculous systems of belief. But as the book progresses, it becomes clear that Gombrowicz has put his own special stamp on this world, and created a type of fiction that is totally unique.

    The plot line is simple: a man of about 30 years of age is abducted by a priggish professor and finds himself, for reasons unexplained, transformed into an adolescent schoolboy. The novel consists of the "adventures" of this anti-hero in the world of adolescence, which he views with both fascination and disgust, and from which he remains detached, and yet at the same time with which he becomes intensely involved. (Ferdydurke is above all else a novel of unresolved contradictions.) Although the narrator is subjected to all the humiliations of an adolescent schoolboy (patronized by adults, frustrated by hopeless desire for a girl who disdains him, etc.), he also retains an adult outlook. In fact, it may be said that he is the only character who is adult (in the psychological sense of being self-aware) and who struggles, not always with success, to remain sane. Part of the genius of the book is that the adults in it seem crazy from the narrator's perspective as a youth, and the adolescents seem crazy from the narrator's perspective as an adult. In spite of its simple plot, Ferdydurke bursts with a dazzling exuberance of incidents, contradictions, characters, and digressions. Readers who demand strict linear plot development in a novel should probably look elsewhere.

    Ferdydurke can be read at many levels. It is not surprising that a novel which features conflicts between two equally absurd systems should come out of 1930s Poland, beset as it was by two powerful opposed enemies, Nazi Germany and Soviet Russia. Ferdydurke can also be read as an exploration of the fragility of the adult ego, of the fine line between "maturity" and "immaturity". The violent schoolboy quarrels which so fascinate and repel the narrator seem like absurdist, distorted parodies of very serious adult matters. And this novel is also about hidden, dark passageways in the human psyche. The narrator confesses to thoughts and behavior that most of us would never want to allow into the daylight of consciousness, much less to own up to.

    Ferdydurke is not a difficult read, but it is quite digressive and very different from what most English-speakers expect a novel to be. Until this new translation, the first directly into English, it was effectively unavailable. This book is not for everyone. But it is a fascinating read for those who are seeking a multi-faceted, complex, and uncompromising (one noted critic has called it "Nietzchean") exploration of what it means to be a "mature adult", and who are not looking for easy answers or Hollywood endings.

    65 of 73 people found the following review helpful.
    Linguistic archetypes and immaturity
    By A Customer
    "Ferdydurke" by Witold Gombrowicz has finally been properly translated into English. Not that this is an event worth mentioning in general, but the point to be made is that the world of translation offers room for all kinds of mischief and sloppiness. Who would have thought that it were perfectly acceptable for publishers to allow translation from a second, and not native tongue? Imagine, for purposes of illustration, that a work of a classic British author translated into German not directly, but from Suahili, for this was the language the book was first translated into. Would you be satisfied with a product of this type? This was the fate of Gombrowicz, his native tongue was done away with, and the Anglo-Saxon world of bibliophiles had had no other choice but to read a lemon. Perhaps this is the revenge of the Heavens on the author himself, for never was there any other Polish author who had his native country in such a low regard as he did. In his "Trans-Atlantyk", Gombrowicz dared to ridicule everything a Pole holds dear, together with the whole idea of a nation as such. Were he to live today, he would embrace the idea of convergence and the global village of consumptionism, as opposed to Europe of Nations. That was one of the main reasons for Gombrowicz's emigration to Argentina, where he spent almost all of his literary career.
    "Ferdydurke" is an early novel by this author, and it's never as crass as the aforementioned "Trans-Atlantyk". In fact, it constitutes part of a literary canon in Poland to this very day, and there is no educated Pole who hasn't read or at least heard of "Ferdydurke". Scenes from this book, gestures, and neologisms entered the mass vocabulary, and once you learn some of these expressions, you cannot unlearn them, for then there is no better way to express yourself, but to use the phrases coined by Gombrowicz. Whatever issues Poles have with this author, one thing is certain: we are grateful to him for augmenting our language. Gombrowicz created an archetype of a confused man, whose karma is to move back in time, back to school, with the mentality of an adult. I will even risk a claim that this fact alone lies at the very heart of science fiction - for how might that be possible, and what would happen if such occurence took place? How would that affect the object in queestion? Perhaps my perception of this problem is a bit skewed due to my occupational hazard of a scientist, but for me, "Ferdydurke" is a laboratory novel, where with a literary set of tools we analyze both the situation, and the object, in the vein of the medieval alchemist. This novel, hardly known in the English-speaking world, will be an exhilarating reading experience for you, provided that you will trust me and pick it up. The amusing analysis of the immature world the protagonist found himself in, mixed with elements from all literary forms, from plain mystery, via comedy, to sophisticated analysis of society, makes Ferdydurke an experimental novel of potential interest for all bibliophiles and lovers of the nonstandard.

    17 of 18 people found the following review helpful.
    Zany to the point of seriousness
    By A Customer
    Ferdydurke is out of print! It has been a battle to get this book openly published in Poland, but look at how English-speaking consumers conduct their own censorship scheme. Yet there is a touch of Anglo-Saxon to the novel's madness: the upper class school boys, the title borrowed from the netherlands of H.G.Wells' corpus and much, much more. The novel questions whether there is such a thing as maturity, sending its main character back to school as an adult, where he is among boys who treat him as another boy (as does everyone else!). It also asks one of the great questions of our time: our characters are made by others; is it possible to escape this or are we merely prisoners of other people's influences? Something for us living under states who idolize individual choice to think about. But Gombrowicz's book is also full of comedy: slapstick, sharp irony, plot twists and philosophical fables. Jokes are used as an ideal way to pose serious questions. Furthermore, in its giant bums and staring contests it shows how much more you can talk about reality, including prudent insights into totalitarian life, through wild fantasy. The experiments of the novel - the unique fantasy, the invasion of the author and the symmetrical interjections - put it at the heart of European modernism. It is a landmark, albeit buttock-shaped.

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