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The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.
“I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” —from The Sound and the Fury
- Sales Rank: #7368 in Books
- Brand: William Faulkner
- Published on: 1990-10
- Released on: 1991-01-30
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.10" l,
- Binding: Paperback
- 326 pages
- Sound and the Fury
Amazon.com Review
The ostensible subject of The Sound and the Fury is the dissolution of the Compsons, one of those august old Mississippi families that fell on hard times and wild eccentricity after the Civil War. But in fact what William Faulkner is really after in his legendary novel is the kaleidoscope of consciousness--the overwrought mind caught in the act of thought. His rich, dark, scandal-ridden story of squandered fortune, incest (in thought if not in deed), madness, congenital brain damage, theft, illegitimacy, and stoic endurance is told in the interior voices of three Compson brothers: first Benjy, the "idiot" man-child who blurs together three decades of inchoate sensations as he stalks the fringes of the family's former pasture; next Quentin, torturing himself brilliantly, obsessively over Caddy's lost virginity and his own failure to recover the family's honor as he wanders around the seedy fringes of Boston; and finally Jason, heartless, shrewd, sneaking, nursing a perpetual sense of injury and outrage against his outrageous family.
If Benjy's section is the most daringly experimental, Jason's is the most harrowing. "Once a bitch always a bitch, what I say," he begins, lacing into Caddy's illegitimate daughter, and then proceeds to hurl mud at blacks, Jews, his sacred Compson ancestors, his glamorous, promiscuous sister, his doomed brother Quentin, his ailing mother, and the long-suffering black servant Dilsey who holds the family together by sheer force of character.
Notoriously "difficult," The Sound and the Fury is actually one of Faulkner's more accessible works once you get past the abrupt, unannounced time shifts--and certainly the most powerful emotionally. Everything is here: the complex equilibrium of pre-civil rights race relations; the conflict between Yankee capitalism and Southern agrarian values; a meditation on time, consciousness, and Western philosophy. And all of it is rendered in prose so gorgeous it can take your breath away. Here, for instance, Quentin recalls an autumnal encounter back home with the old black possum hunter Uncle Louis: And we'd sit in the dry leaves that whispered a little with the slow respiration of our waiting and with the slow breathing of the earth and the windless October, the rank smell of the lantern fouling the brittle air, listening to the dogs and to the echo of Louis' voice dying away. He never raised it, yet on a still night we have heard it from our front porch. When he called the dogs in he sounded just like the horn he carried slung on his shoulder and never used, but clearer, mellower, as though his voice were a part of darkness and silence, coiling out of it, coiling into it again. WhoOoooo. WhoOoooo. WhoOooooooooooooooo. What Faulkner has created is a modernist epic in which characters assume the stature of gods and the primal family events resonate like myths. It is The Sound and the Fury that secures his place in what Edmund Wilson called "the full-dressed post-Flaubert group of Conrad, Joyce, and Proust." --David Laskin
Review
“I am in awe of Faulkner’s Benjy, James’s Maisie, Flaubert’s Emma, Melville’s Pip, Mary Shelley’s Frankenstein—each of us can extend the list. . . . I am interested in what prompts and makes possible this process of entering what one is estranged from.” —Toni Morrison
“No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there.” —Eudora Welty
From the Inside Flap
First published in 1929, Faulkner created his "heart's darling," the beautiful and tragic Caddy Compson, whose story Faulkner told through separate monologues by her three brothers--the idiot Benjy, the neurotic suicidal Quentin and the monstrous Jason.
Most helpful customer reviews
20 of 20 people found the following review helpful.
The Twilight-Colored Smell of Honeysuckle
By W Perry Hall
If you were raised in the South, you may get chills reveling in Faulkner's evocative words "the twilight-colored smell of honeysuckle." You know exactly what this means, how wonderful it is to the senses and the almost-haunting, hazy memories it stirs in you of people long in your past or passed on. This novel was the most difficult I've read, but the most rewarding once I did the work required to know how to read it, and understood its structure and meanings.
I never thought I could read it; I tried 30 years ago, 19 years ago, 10 years after that, before I finally finished it a couple of years ago. When I picked it up, I concluded quickly that Faulkner must be a sadist to write anything like the first 10 pages. I read it twice and I was no better off the second time as I was the first go-round. I had absolutely no clue what the heck was going on, the sentences were disjunctive, the thoughts scrambled, the characters were dropping in then disappearing, it seemed to change time frames without any recognizable order so I had no sense of time and, ultimately, I had forgotten why it was, exactly, that I had bought the damned thing in the first place!
Oh yeah, I told myself. You want to read Mr. Mint Juleps from that Rowan Oak plantation home up in Oxford. You believe that by doing that you are proving maybe once and for all time that you too can escape the past of this State in which you were raised and of these ghosts that you find despicable, this hate you had no part of, these white sheets, fulgent from the flames above them but burned by the evil beneath, these ignorant men who were passed down hatred as heirlooms to hand down to their sons and their daughters. You think if you can make it through this man's novels it will show that you are more intelligent than what people from afar believe you to be, that you are not like the rednecks you see every day but burst from within to bound over, that you are not like your mother's father who you worshiped, a business man and deacon in the town's largest Southern Baptist church, who you remember using the N word once as you sat beside him at 7 as he was driving from downtown Natchez (the home of my forefathers), a town on the mighty Mississippi River filled with beautiful antebellum plantation homes and scattered with remnants of slavery and a segregated past before you were born, the town in which your mother is now buried 10 feet from her father. And your mother, God bless her, along with your father, raised you not to hate, nor to judge, and for that you believe you have been blessed.
After she was buried, you finally got the gumption to make it all the way through this knotty novel by that iconic author from the northern corner of your home state of Mississippi. It took a paperback, an electronic companion guide and an audible version to make it through and understand that you needed to read this book, that it was crucial as one more molting of the skin of your past, one more step away from the sins of the fathers, one further step away from that past for my children and hopefully their children.
I did it.
11 of 11 people found the following review helpful.
Gut-Wrenching Account of a Family in Decline
By RoxB
This was not by any stretch of imagination an easy book to read. The stream of consciousness style, the way that Faulkner gives voice to each character in their own unique narrative, the themes of bitterness, racism, depression, family, morality and overall decline and the often heart-breaking perspectives from each member of the Compson family makes for a book that is gut-wrenching and sometimes awful. But... very few writers have the ability to bring life into their words the way that Faulkner does. This is not a third person account of a family gone to ruin - it is a riveting, raw recounting told from all angles. It may leave you feeling tight in the chest, but it will stay on your mind for a very long time after you finish the last page.
6 of 6 people found the following review helpful.
Memorable Story
By Lewis F. Murphy
Faulkner. As a Southerner one must pay homage. If you are considering purchasing this book not as a requirement for some college course but for pleasure, curiosity, then you must already know something about Faulkner and the place this book has in the canon of American Literature. Well deserved placement. Much easier to read than The Sound and the Fury and As I Lay Dying. But, they are more memorable struggles. Great characters. Much more of a straight up story. Hopeful perserverance is a good descrpition. So much, so sad but inevitable.The language is the real allure, of course :
"Though the mules plod in a steady and unflagging hypnosis, the vehicle does not seem to progress. It seems to hang suspended in the middle distance forever and forever, so infinitesimal is its progress, like a shabby bead upon the mild red string of road."
"And now he knows that she is watching him: the gray woman not plump not thin, manhard, workhard, in a serviceable gray garment worn savage and brusque, her hands on her hips, her face like those of generals who have been defeated in battle. 'You men,' she says."
"His voice sounds light, trivial, like a thistle bloom falling into silence without a sound, without any weight."
"Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders."
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