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W, or the Memory of a Childhood, by Georges Perec
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Book by Perec, Georges
- Sales Rank: #3641801 in Books
- Brand: Brand: Harvill Pr
- Published on: 2000-05
- Ingredients: Example Ingredients
- Original language: French
- Number of items: 1
- Dimensions: 8.46" h x .63" w x 5.31" l,
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
Most helpful customer reviews
9 of 9 people found the following review helpful.
A Stunner, Folks
By Volkswagen Blues
With all due respect to the previous reviewer, I really don't see the use in contrasting Perec and Clancy. They're not just in different ballparks, but they play different games. Clancy's job is to tell a good story and make things simple; he does it well, and I'm a fan. Perec's job, however, is to make sure his reader knows exactly how difficult things really are. This goes doubly for an approach to one of the most difficult historical moments of the recent past, the Holocaust. Perec's "W or the Memory of Childhood" embodies all of the violence of this historical tragedy and of memories of such tragedy.
There are two narrative threads running through this book, touching each other occasionally in a manner that illuminates both in strange and arresting ways. Half of the chapters are "W," the fictional account of a man, Gaspard Winckler, who has survived a war by adopting the identity of a parapalegic (the real Gaspard Winckler) who later dies in a shipwreck off the Tierra del Fuego. Prodded by the mysterious Otto Apfelstahl, the living Gaspard embarks on a journey to recover his memory of the real Gaspard, to discover who he was and how he died. This journey becomes, in the second half of "W," a description in coldly anthropological terms of a seemingly totalitarian island-state, in which citizens are forced to compete in brutal and naked athletic games for things like food and the right to procreate--the basics of human life.
The other half of the chapters are Perec's own autobiographical contributions, beginning, despite the promising title of the book, with the admission, "I have no memory of childhood." Perec's voice sifts through his rubbled past--his father's death in the French Army, his mother's transportation to Auschwitz, his being concealed in a Catholic school and raised by his relatives--and attempts to separate what he remembers from what he has been taught to remember through photos, language, etc. His reflections are marked with a humor that is endearing in light of his horrifying experiences, and with a subtlety that is astounding in light of the atrocities to which the text must bear remote witness.
The two narratives, "W" and "The Memory of Childhood," weave around each other like ivy, finally becoming, in a stunning and climactic final chapter, part and parcel of one story. Perec's ultimate fusion of his willful fictions and his awe-full remembrances is powerful and well-presaged; the entire universe of the book builds beautifully and disturbingly toward this final moment, as the fictions become more like fact and the autobiography occupies itself increasingly with fictions.
Bellos' translation is superb, even if one does lose some of the very productive puns of the original (the moment early on, for example, when "l'Histoire avec sa grande hache" should make us think simultaneously of History with a capital H and History with its big axe; Bellos sticks with the capital H rendering of the phrase).
So, no, "W or the Memory of Childhood" is not Tom Clancy. But it doesn't mean to be, and it doesn't need to be. What it is, instead, is a sobering, touching, daunting and disturbing reminder of some of the worst our century has had to offer. If you are interested in a writer who is unashamed of standing heroically baffled and gaping in the face of immeasurable atrocity, buy and read this book.
1 of 2 people found the following review helpful.
double you
By Matt Harron
Georges Perec's W, or The Memory of Childhood is an astonishing narrative that fuses two stories about the exploration of one man's disoriented childhood during WWII and another's disturbing tale of W, a place where nightmares become reality. The reader is led to believe that these two tales have little in common, but as they unfold it becomes painfully clear just how connected they are.
The first tale is an autobiography of a man struggling to understand his shattered childhood, the loss of his parents, and the painful experiences of growing up in Nazi occupied France. Perec utilizes a style of fragmented writing, much like the actual memory of our own childhoods. This style allows the reader to see how memory is truly bits and pieces of shrouded experience that must be sorted and analyzed. In spite of the title, Perec admits that "I have no childhood memories" in the opening of the autobiography and this is displayed throughout the tale. Every memory, every photograph is poked with holes, which is made evident by the recurrent phrases beginning with "perhaps" and "I think" and "maybe". Memory of childhood cannot be painted in a clear picture; it will always be distorted and vague and Perec's style incorporates this idea.
The second tale is a story that seems to have no relation to the autobiography. It is a story about a man with little past who has deserted the French army and lives in Europe by assuming the identities of other people. Under the assumed identity of Gaspard Winckler, the protagonist reaches the merciless island of W, a direct metaphor of Nazi Germany. The island-state forces people to compete in Olympic like events in order to win the basics of human life. Winners are glorified with rich clothes and lavish meals, and of course encouraged to over-indulge to ensure they would not win the following day. Losers are stripped naked and beaten, but are occasionally stoned to death and hung on the city gates to make it clear that `survival of the fittest' is the law of the land.
The entire island of W is related to the ideas that fueled ethnic cleansing during WWII. The degradation and punishment of the weak and the glorification of the strong on W is much like Hitler's final plan and his attempt at establishing an Arian race. Although the stories remain separate until the end of the book, these metaphorical ties are evident and can be seen by the attentive reader. The tales seem to want to converge, and then they both take off in separate directions again. The merging of the stories builds throughout the narrative as Perec uses light touching of ideas and metaphors to link W, and Perec's autobiography in 1940's France.
The real fusion of the two tales comes in the final chapters of the story when the autobiography begins to turn more like fiction, and the fictional story of W, starts to become more factual. We learn that the island of W is a real island and that it is being used as a deportation station in South America. We learn of what truly went on in camps and how hard people were worked and how badly they were treated. These stories are beautifully woven together by Perec and they show true compassion and inventive writing style. This is a touching narrative of some our century's worst times, and a wonderful piece of writing by Georges Perec.
2 of 13 people found the following review helpful.
This one's never gonna pull readers away from Clancy
By A Customer
A unfortunate sacrifice of story in favor of experimental form, this hybrid of autobiography and politically-charged fairy tale never actually coheres and never really gets across the real atrocities both the author and Europe underwent. That the novel is patently a literary game somehow doesn't seem related to the fictional culture of games being indicted in the novel, and since the relation between the form and the content is unclear the book falls flat. Or maybe the novel is about the simultaneous futility and necessity of testimony. Unfortunately any subtler rationale for the book is lost in tumult.
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